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| Donald
McNarry |
Donald
McNarry, FRSA (1921-
): Mr. McNarry,
born in London,
resides on the southern
coast of England
where he can glimpse
the sea from his
studio window. Now
retired, he built
ship models all
his life and from
1955 was a free-lance
professional, creating
over his lifetime
approximately 350
models of historical
ships covering the
period from 700
BC to the late 1960s.
Considered “the
master” of
extreme miniature
shipbuilding by
his peers, his works
are highly sought
after by museums
and private collectors
worldwide. His contribution
to the art form
has been enormous
and he has been
instrumental in
raising the overall
standards expected
from small-scale
ship modeling. Mr.
McNarry’s
works are found
in major public
institutions and
private collections
worldwide, including
that of the British
Royal Family, and
can be viewed in
the United States
at the Peabody Essex
Museum, Smithsonian
Institution, Mystic
Seaport Museum,
The Mariners’
Museum and the U.S.
Naval Academy Museum
in Annapolis, MD.
*Note
that models on this
page are representational
works by this artist,
some of these pieces
may have been sold
– please contact
us for availability.
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HMS
Victory
Royal
Navy First
Rate Ship-of-the-Line
of 104 guns,
built in 1765
Full-hull
model built
in 1991 to
a scale of
16' = 1”
Glazed case
of Indian
satinwood
Model Dimensions:
19 1/2 "
L x 8 3/4
" H x
7 1/2 "
W”
In October
2005 the 200
th anniversary
of the Battle
of Trafalgar
will be celebrated
by six days
of celebrations
in Portsmouth
and at St
Paul 's Cathedral
and Trafalgar
Square in
London . The
symbol - not
only of this
victory but
of a newly
triumphant
naval power
and future
empire – was
Admiral Horatio
Nelson's flagship
HMS Victory.
McNarry
empahsizes
this honor
by depicting
the great
ship in stately
“Dockyard”
manner, indicative
not only of
her illustrious
history but
of the traditions
of the British
Admiralty,
in which prospective
new vessels
would be modeled
to show essential
elements of
the hull.
Originally
quite ornate,
Victory
's figurehead
and stern
gallery structures
were covered
in carved
wood decorations
of mythical
figures and
complex scrollwork.
McNarry enlarges
on this visual
artistry by
contrasting
the vertical
patterning
of exposed
ribs with
the perpendicular
banding of
the horizontal
frieze, hull
planks and
gunport bands.
At Trafalgar
her main dimensions
were: burden,
2,162 tons;
length of
gun deck 186
ft.; length
of keel for
tonnage 153.1
ft.; breadth
51.5 ft.;
depth in hold,
21.5 ft.;
complement
850 men. In
1824 she was
anchored at
Portsmouth
, England
as the stationary
flagship of
the local
naval command
and a permanent
memorial to
Nelson, who
died aboard
her. After
157 years
of service,
in 1922, she
was placed
in her present
berth, restored
to her configuration
as at Trafalgar,
and preserved
as a museum
ship.
Reference:
Model
Shipwright,
Number
76, June 1991,
pp. 13-16,
D. McNarry
FRSA.
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Great Republic
American Clipper Ship of 1853
Waterline model built in 1970 to a scale of 32' = 1”
Glazed case of Indian satinwood
Model Dimensions: 19 ¼” L x 10 ½” H x 8 5/6 ” W
The largest extreme clipper ever built, the 4,555-ton Great Republic was 335', or longer than a football field. “To triumph over them all – to excel all his other works,” was the object Donald McKay had in view when he designed her, the largest merchant ship in the world. McNarry has emphasized the tremendous size of the famous “Leviathan” by the subtle implication of her diagonal placement within the rectangle of her case; as if no boundary were adequate to contain her. Her sleek, almost menacing black hull is softened by the light green of the shallow waters of Cape Cod - as she makes her way from Boston to New York - and by the light orange-yellow of the veneered baseboard. However, in a fascinating paradox, the ship's colossal sail configuration as depicted here never was employed, for after a fire at her berth in New York dest roy ed her prior to her maiden voyage to Liverpool she was substantially rebuilt and had a 25% reduction in rig.
Provenance: Model built in 1970; Private Collection, Switzerland
Reference: Ship Models in Miniature, D. McNarry, pp. 126-128; David & Charles, 1975 |
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Lightning
American Clipper of 1854
Full-hull model built 1967 to a scale of 16' = 1”
Glazed case of figured English walnut
Model Dimensions: 25 3/8 ” L x 16 3/8 ” H x 11 1/8 ” W
Inspired by the remarkable D.M. Little painting of 1854 showing the great clipper swung to the tide off Port Philip Head, this remarkable full-hull model depicts the massive ship in perfect order yet clearly occupied by her passengers and crew and in service: she presents an air of activity serenely conducted. In the artist's characteristic use of irony and contrast, her overall sense of calm belies the great ship's speed records, reputation and name. Lightning was designed and built by Donald McKay at East Boston for James Baines & Co. of Liverpool, operators of the “Black Ball Line” of Australia passenger packets. She was launched January 3, 1854 , with measurements of 226' in hull length, 44' in beam, and 23' in draft; registered tonnage, 2,083. Lightning is best remembered for her remarkable run of 436 miles in 245 hours on her maiden passage, reputedly the fastest authenticated day's run ever made by a clipper ship.
Provenance: Model built in 1967; Private Collection, Switzerland
Reference: Ship Models in Miniature, D. McNarry, pp. 128,9; David & Charles, 1975 |
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Nightingale
American
Clipper Ship
of 1851, built
in Portsmouth
, New Hampshire
Waterline
model built
1973 to a
scale of 32'
= 1”
Glazed case
of figured
English walnut
Model Dimensions:
14 1/2”
L x 7 7/8”
H x 7 1/2”
L
Named for
the “Swedish
Nightingale”
Jenny Lind,
is shown having
just dropped
her starboard
anchor and
is simultaneously
sheeting home
her three
topsails.
There is wonderful
irony; the
artist juxtaposes
this mighty,
state-of-the-art
western merchantman,
against a
humble gaff
rigged open
boat which
luckily just
cleared her
bow. Built
in Portsmouth
in 1851, the
185' Nightingale
was constructed
by Samuel
Hanscom with
the grandiose
idea of conveying
passengers
to London
for the Great
Exhibition
or “World's
Fair,”
but she cleared
Boston on
her maiden
voyage for
Melbourne
in one of
the first
passages to
transport
miners to
the newly
discovered
Australian
gold fields.
Sailing to
Canton and
Shanghai,
she entered
the lucrative
tea trade
to London.
The solid
wood hull
is planked-over
with holly
shavings and
shows some
copper sheathing.
The decks
and deck houses
are of wood
all authentically
painted, and
it is fully
rigged with
copper wire
or silk twisted
to the correct
diameter and
painted black
or natural
coloration.
The sea is
carved from
wood and then
hand painted
with artist
oils. Glazed
case if figured
English walnut
with hand
engraved name
plaques.
Provenance:
Model built
in 1973; Private
Collection,
USA, Model
is featured
in McNarry’s
book: Ship
Models in
Miniature,
Plate 37,
and on page
113.
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Port Jackson
Four-masted Iron Merchant Bark of 1882
Waterline model built in 1977 to a scale of 32' = 1”
Glazed case of figured English walnut
Model Dimensions: 16 1/2 ” L x 9 1/4 ” H x 7 1/2 ” W
In Port Jackson McNarry captures the awe-inspiring might and majesty of the four-masted iron-hulled sailing ships of the late nineteenth and early 20 th centuries. Unlike most of the genre, however, which presented a squared-off appearance with their masts of equal lengths, Port Jackson 's were of differing heights. The resulting visual composition of this vessel fascinated the artist, and, using this subtle difference in mast height from bow to stem, he creates here the delicate suggestion of an overall oval shape, formed as the eye traces the ship's outermost points and then follows an imaginary arc below the waterline. He alludes to Port Jackson 's later use as a cadet training vessel with a crisp, clean paint scheme of white and black and showing her false gunports. Port Jackson was 286' 2" in length, 41' 1” in breadth, 25' 2” in depth and weighed 2212 GRT; she was built in 1882 by A. Hall & Co., Aberdeen to the design of Alexander Duthie and intended as a wool clipper for the London to Sydney run. In 1906 she was sold to Devitt & Moore, London, who operated her from 1906-16 as a sea-going boys' cadet training ship. Several such “windjammers” are still extent and form part of museum collections and historic sites: Star of India is at San Diego ; Balclutha , San Francisco ; Wavertree , New York ; and Moshulu, at Philadelphia 's Penn's Landing.
Provenance: Model built in 1977; Private Collection, Switzerland
Reference: Model Shipwright, Number 80, June 1992, pp. 46-48, D. McNarry FRSA. |
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Red Jacket
Extreme Clipper Ship of 251', built 1853 in Rockland , Maine
Waterline model built 1977 to a scale of 32' = 1'
Glazed case of figured English walnut
Model Dimensions: 16 1/2 ” L x 8 3/4 ” H x 7 1/4 ” W
The drama and emotion of the glamorous life of the mid-to-late nineteenth century clipper ship are conveyed in this depiction of the famed Red Jacket , acknowledged to be the handsomest vessel in the British merchant service, and always a favorite with the traveling public. The 13 day, 1 hour, 25 minute time of her maiden voyage from New York to Liverpool in January, 1854 has never been beaten by any sailing ship. The artist creates here a palpable tension by contrasting the beauty and delicacy of the clipper's hull and the fragility of her softly tinted sails and fine rigging with the darkly menacing, frigid Cape Horn waters she sailed in her quest for ever-faster passages between Liverpool and Melbourne. The London News published some views of the famous trip, showing her entirely surrounded with field ice, and she reportedly encountered many icebergs, some 200 feet high and including one estimated at two miles in circumference.
Provenance: Model built in 1977; Private Collection, Switzerland
Reference: Ship Models in Miniature, Vol. II, D. McNarry, (in galley) |
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SS Sirius
British Paddle Steamer of 1837
Full-hull model built 1980 to a scale of 32' = 1”
Glazed case of avodire wood
Model Dimensions: 12” L x 8 1/4 ” H x 5 3/4 ” W
“First across the Atlantic under steam,” diminutive Sirius here is made to seem even tinier and more delicate as the artist reveals the humble beginning of the mighty new era of steam, as well as her position as its harbinger, by placing her within a slightly enlarged casing space. Characteristic of McNarry's use of contrast is this juxtaposition of the import of the enormous transition from sail to steam with the humility and simplicity of her size, name and stance. Paying homage to the great Scottish builders who orchestrated the Industrial Age with their steam engines, the artist focuses our attention on the perfection of symmetry and engineering of Sirius' machinery rather than on her rigging, indicating his belief that the new era will be one of order and beauty. The two covered boats suggest that steam is safe and passengers may trust in the new engines; the soft, yellowish base, with its gentle color differentiations - a gentle passage. Built for the St. George Steam Packet Company, the 208' wooden-hulled Sirius was intended for service between Cork and London . The British and American Steam Navigation Company chartered the steam powered coaster for a transatlantic run in an attempt to beat the much larger, purpose-built Great Western to New York . Under Lieutenant Richard Roberts, RN, Sirius left London on March 28, 1838 and, amid much expectation, arrived at New York on April 22 after a passage of 18 days, 10 hours.
Provenance: Model built in 1980; Private Collection, Switzerland
Reference: Ship Models in Miniature, Vol. II, D. McNarry, (in galley) |
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Sir Lancelot
British Clipper Ship of 1865
Waterline model built in 1970 to a scale of 16' = 1”
Glazed case of figured English walnut
Model Dimensions: 25 1/4 ” L x 15 1/8 ” H x 11 1/4 ” W
Inspired by Dunton's lithograph, published in 1867, of the hard-driven clipper under Richard Robinson's command, McNarry's Sir Lancelot tells the story of a glamorous genre: the China tea clipper, once a common sight along London 's Thames River . Their races to bring the first shipment of tea from the Far East and thus not only set the market price but also make rich their owners were the focus of worldwide attention and monetary speculation. Designed also to attract prominent travelers, the clippers provided opulent passenger accommodations: Sir Lancelot 's main deck cabin shows gilded sconces fitted up under its roof and other gilded trimwork as well as the heavy, ornate woodwork and scrolling typical of the Victorian era. Calm waters and the lushness of her graceful volume of sail also reflect Victorian principles of abundance and beauty, yet contrast with her urgent mission of speed. Such “composite” (steel framed and cross-banded and planked-over in wood on the interior) hulls as hers were a design and engineering feat, producing ships elegant in line for optimal speed, yet tremendously strong. One of the longer lived of the British clippers, Sir Lancelot was a near, if not exact, sister ship of the celebrated Ariel launched the year before. Built for James MacCunn of Glasgow , she served as a tea clipper until the 1880s, when she was bought by Viscount Ibrahim of India for trade between India and Mauritius .
Provenance: Model built in 1970; Private Collection, Switzerland
Reference: Ship Models in Miniature, D. McNarry, pp. 146,7; David & Charles, 1975 |
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